Super Hybrid is a film that is similar to Stephen King and John Carpenter’s Christine. However, the only thing they really have in common is that they are both about killer cars. Christine was possessed by an unknown force; Super Hybrid is inhabited by some kind of...

“A man-eating turbo-gator from Hell” is on the loose in this cheapjack Roger Corman production, which makes dialogue references to the earlier DINO CROC (2005) and gets its biggest shock from the presence of a nearly unrecognisable, old-looking Kelly McGillis as the...

The superb, apocalyptic sci-fi premise of genre-hopping director Danny (28 DAYS LATER) Boyle’s latest movie owes a debt to conventional Hollywood disaster movie blockbusters like THE CORE and ARMAGEDDON, complete with a climactic scene of world-saving individual...

Well To be honest folks I got a screener of this film from my business partner that I make films with. He knows a guy who owns a video store and every once in a while he gives us some press kits to browse though. So I really just got to see the movie. But it seems as...

Suicide Club, part of Sion Sono’s trilogy--including Noriko’s Dinner Table and as yet unnamed finale--is a scathing piece of satirical black humor in the vein of Mary Harron’s American Psycho which focuses upon the effects of pop music upon humanity’s youth. An...

Originally released by Panorama Entertainment. The team who brought us Flesh Eating Mothers and Beyond Dreams Door. Stuart Struttin, owner of Panorama once handled marketing for Troma Studios and Vestron. Fed up with that, he went on to form Panorama and made dem dere...

Directed by Jon Keeyes A dysfunctional family serial killer picture, Suburban Nightmare opens up with a little gothic poetry and pillow talk before heading straight into the embittered home life of unhappily married couple Charles (Trent Haaga) and Deborah (Brandy...

Sublime is the second release from the Raw Feed Label. The film is nothing special, but does have certain elements from the filmmaking perspective that make it visually worthwhile. However in terms of plot, one might that the film lacks in the overall action, and...

"subHUMAN" is one of those films that everyone will just simply find it to be an alright film or will just plan dislike it. I for one thought it was alright, and I was able to get though it. The film is very similar to "Blade 2", in the fact that it is about a type of...

As much as I can't stand the look of digital video; to the point where I usually shut off a lot of films that are shot on it. I must admit that even though it bothered the shit out of me; that Stupid Teenagers Must Die is a pretty decent low budget flick. The plot is...

Larry Cohen’s The Stuff is perhaps best described as Don Siegel’s Invasion of the Body Snatchers meets Irvin Yeaworth’s The Blob, replete with a black humor, Z-movie premise, presented via Swiftian satire, as the director highlights the absurdity of mass consumerism...

Typically, after viewing a putrid piece of cinema schlock, I attempt to distance myself from the work as much as possible and try not to dwell on the fact that I have wasted x amount of lifetime which I can never hope to get back. Yet, as occupational hazard would...

Henrik Galeen’s daunting remake of Hanns Heinz Ewers’s tale of a Faustian doppelganger based upon Edgar Allan Poe’s “William Wilson” is, to date, the definite version of the narrative due to the director’s knowledge, appreciation, and implementation of German...

“To catch a mad dog, you have to think like a mad dog…Only madder…” Jamie Blanks, a self-professed horror fan, found modest success in Hollywood with a pair of streamlined, post-SCREAM teen horror movies (URBAN LEGEND, VALENTINE), both heavily influenced by the...