Dorothy Mills
Not quite a possession movie, nor a DON’T LOOK NOW-ish ghost movie, nor a SESSION 9 - inspired schizo horror, the commendably restrained DOROTHY MILLS takes elements of all three within an intelligently plotted screenplay that manages to unsettle without resorting to...
Dorm of the Dead
Hard working actor, director, producer, and writer Donald Farmer has tucked 22 films under his belt in a little over a decade. In this respect, he shares an affinity with his cinematic brethren, Edward D. Wood, Junior. However, there is a staunch difference between...
Don’t Turn Around
My god, what the hell are these people trying to do, send me to an early grave. I'm guessing people really don't read my submission requirements on the site, and it's obvious. "Don't Turn Around" is a film that was made by amateurs. It looks as if this film was shot...
Don’t Torture A Duckling
After having created one of the charter installments in the giallo genre, A Lizard in a Woman’s Skin, Italian director Lucio Fulci follows with Don’t Torture a Duckling, a transitional work which succeeds in not only issuing a scathing critique upon several facets of...
Don’t Mess With My Sister (DVD)
I thought I SPIT ON YOUR GRAVE was a great film. A savage film none the less but still a great venture. So why wouldn’t a film of the same director and producers be anything but better, if not the same? Well, this movie sucks huge ass. I mean it sucked so much ass I...
Don’t Look Up
A much more generic and formulaic movie than you would expect or want from Fruit Chan, the director of the extraordinary DUMPLINGS element of THREE EXTREMES, this is a peculiar remake of the J-Horror GHOST ACTRESS. It is also cursed with one of those interchangeable,...
Don’t Look Now
The power behind Don’t Look Now, a strangely fascinating, Dario Argento-esque giallo based on a novella by Daphne Du Maurier, lies in Nicolas Roeg’s ingenious implementation and utilization of red herrings, explicit as well as implicit, which he uses as a metaphor for...
Don’t Let Him In
When it comes to British horror films I either like them or I don’t. There is something about that pale format that is always used in British cinema and flat acting that always turns me off from many British made independent horror films. Then there are those that are...
Donkey Punch
For those who have led sheltered lives and wouldn’t dream of indulging in anything more daring than the good old missionary position, a “donkey punch” is a sexual kink not as outright gross as “tarmaccing” but more morally questionable than, say, snowballing. If you...
The Doors
This one came in without any background information whatsoever; just a DVD-R with The Doors written on it, slipped into a paper envelope. There’s not much online either. So, I guess we’ll just have to watch it to find out what it’s all about… “This is a story of how...
Doomsday
Neal Marshall, the writer/director of films like THE DECENT, and DOG SOLDIERS come back at us again, this time with the post apocalyptic film DOOMSDAY. To put into words what the plot of DOOMSDAY is like' lets just say it a mix of films like 28 DAYS LATER, ESCAPE FROM...
Doomsday
Crowd-pleasing comic werewolf movie DOG SOLDIERS and uber-terrifying claustrophobia-fest THE DESCENT were always going to be tough acts to follow, and for his third feature, writer/director Neil Marshall, armed for the first time with a sizable budget courtesy of...
DOOM (DVD)
It's 5:27 am and I just finished watching the "DOOM" DVD and felt compelled to write a quick review. Why? Because much to my surprise despite some ridiculousness I thought it was pretty damn entertaining! I didn't see it in the theater but now wish I had which I...
Donnie Darko
One of the best films I have seen in the past decade is now ten years old and is once again available on Blu-ray.. I will admit the first time I saw the DVD box cover for Donnie Darko I thought it was going to be just another sub-par horror film that was going to be...
Exorcist: The Beginning
The creation and production of a prequel to one of the most successful films of all time, William Friedkin’s The Exorcist, due to Morgan Creek’s desire to exploit the genre--made evident in the production company’s insistence that its original director, Paul Schrader...

