This half revenge, half murder mystery is highly regarded within the horror biz. It plays like Phantom of the Opera eloped with Seven after having plunged headlong into a train as its conductor, his a head full of acid, continued to scream listlessly long after the...
Camp doesn’t quite cover Ryan Schifrin’s free-for-all, unrepentantly escapist slasher-cum-monster flick, Abominable which, if there is any justice in the world, will proudly assume its place in the archives as a work of minor cult horror. If nothing else, who has the...
Selected in 2001 to be included in the National Film Registry, Charles Barton’s Bud Abbott and Lou Costello Meet Frankenstein is a rare breed of horror comedy: Unlike latter-day movies of the same ilk, the filmmakers pay their due respects in that they abstain from...
Tagline: Death Never Runs Out of Time! Aftermath solidified Nacho Cerda as a filmmaker to keep an eye on over eight years ago. His film was visually arresting and terrifying. The Abandoned is a welcomed homecoming for this incredible filmmaker. Writing with his...
I know I’ve spoken about this in previous reviews of films that included Ray Harryhausen effects, but I was lucky to meet the man a few years back, shake his hand, and see some of the original model used in many of his films. It was a great personal experience...
Timed, with typical precision by straight-to-Blockbuster genre outfit The Asylum, to cash in on Fox’s own 2006 cash-in remake of THE OMEN, 666 THE CHILD is shameless, cheap looking and jokey but, like some of The Asylum’s product, you end up unable to hate it. In...
