Rachel Talalay (Tank Girl, Ghost in the Machine), production manager of A Nightmare on Elm Street (NOES) and its sequel, and producer of parts 3 and 4, makes her directorial debut with the closing chapter in the A Nightmare on Elm Street saga. The garbled work, much...
The sophomore effort of director Drew Bell, Freakshow–a mixture of Tod Browning’s Freaks and Donn Davison’s She Freak–is an unexpectedly effective film posing as a piece of horror exploitation and lethargic plagiarism. Masterfully, Bell plays to the...
As the final credits of Christian James’s Freak Out started to roll, I was perplexed because I was sure I’d missed something, so I marched my little butt to the computer and proceeded to read what others thought about the film and this is what I have thus surmised:...
FREAKDOG, like jobbing director Paddy Breathnach’s last horror film, SHROOMS, is a competent, good-looking, slick product let down by mediocre material and all too obvious attempts to appeal to the worldwide (read : American) market. In this case, the latter is even...
When I got this DVD in the mail today I was actually shocked to see that the site was quoted on the front cover. I said to myself, I must be watching to many movie, cause I don’t even remember seeing this one, maybe Steven reviewed it. So I checked the archives....
More about a werewolf than the results of a mad scientist’s megalomania (hence, the title should have been “The Wolf Man Meets Frankenstein’s Monster” but, granted, the former–obviously–doesn’t have the audience pull to merit top billing), Roy William...
