The power behind Don’t Look Now, a strangely fascinating, Dario Argento-esque giallo based on a novella by Daphne Du Maurier, lies in Nicolas Roeg’s ingenious implementation and utilization of red herrings, explicit as well as implicit, which he uses as a metaphor for...
When it comes to British horror films I either like them or I don’t. There is something about that pale format that is always used in British cinema and flat acting that always turns me off from many British made independent horror films. Then there are those that are...
For those who have led sheltered lives and wouldn’t dream of indulging in anything more daring than the good old missionary position, a “donkey punch” is a sexual kink not as outright gross as “tarmaccing” but more morally questionable than, say, snowballing. If you...
This one came in without any background information whatsoever; just a DVD-R with The Doors written on it, slipped into a paper envelope. There’s not much online either. So, I guess we’ll just have to watch it to find out what it’s all about… “This is a story of how...
Neal Marshall, the writer/director of films like THE DECENT, and DOG SOLDIERS come back at us again, this time with the post apocalyptic film DOOMSDAY. To put into words what the plot of DOOMSDAY is like’ lets just say it a mix of films like 28 DAYS LATER,...
