Ahhhh, Halloween
is over and the seasons in Los Angeles are about to…what the hell am
I talking about? Seasons don’t truly change here. This past
Saturday, I had the pleasure of meeting with the ever beautiful and
brilliantly talented star of the upcoming 8 Films to Die For
select film, UNREST.
Corri English
asked me to meet her at an old and abandoned morgue at an
undisclosed location in Los Angeles for a nice personal tour of the
creepy corridors.
Jack: Thanks for meeting me this
morning at ummm…(looking around, I didn’t know how to describe
this dark and morbid place).
Corri:
Sure…
Jack: Are we allowed to be
here?
Corri simply
smiles at me and proceeds into the dark corridor and I follow as any
man would follow her.
Jack: Unrest
is a deeply unsettling psychological affair that resonates after you
see it. Did you know what you were getting into when you first read
the material and how did you get involved with this project?
Corri: I was given the script
and after reading it, I was intrigued...I would not normally
gravitate towards a horror film but I loved the premise, I felt like
it was a really intelligent script and I connected to the character
of Alison immediately.
Jack: With the horror films
from the last 65 years, what do you think is the importance of
strong females within the genre?
Corri:
There are a whole lot of horror films in which the role of the
female characters is to scream, somehow become naked, and run around
town before dying in some horrible and gross way...so I always love
to see a strong heroine saving the boys' butts!!
Jack: When it comes to
horror, do you find yourself being scared easily?
Corri:
I have always been squeamish about horror films. I am an
eye-coverer for sure! Then I have to ask the person next to me why
everyone is going “uhhh!!” I am particularly squeamish about
eyeballs being impaled, I can’t ever watch that.
Jack: Do you want to tell the
Horror Review your top five horror films from your youth to now?
Corri:
Hmmm…when I was a kid the ones that scared me the most were The
Lady in White, and a Disney film called Watcher in the Woods, oh,
and of course Attack of the Killer Tomatoes, that was real nail
biter!! Some of my favorites over the years have been Carrie, The
Shining, Poltergeist, Alien, The Ring scared me to death, and I love
The Exorcist!!
Jack: Cinema is transitioning
and giving women more power and range within roles. But horror
films still seem to have that cliché of women running around and
being in jeopardy. Even with all of your male support in this film,
was it strange to be the glue that held this film together?
Corri:
I love the character of Alison Blanchard because, in the
beginning of the film, she has vulnerability and even a bit of
insecurity about her that is very relatable, but as these horrible
things begin to happen she realized she has to take matters into her
own hands. Over the course of the film she becomes this very strong
woman who can kick some serious ass and is saving the guys – so I
love the arc there.
Jack:
This film deals with a hot subject that no one seems to understand
the mechanics of…what happens to one’s soul when they die. With
that in mind, what is your take on the concept of this film?
Corri:
I love that this film deals with a question that every human
being asks themselves, but that no one can answer – even the
professor of anatomy, who knows the inner-workings of the human body
that seem so mysterious to others, has to acknowledge that there is
an element there that cannot be explained with science. What does
happen to a person’s soul when the body dies? No one knows – but
what could it mean for the living when a soul becomes enraged?
That’s where our film takes things…I’m guessing it’s not going to be
pretty!!
Jack: Let’s talk about the
shoot itself. You mentioned before that you guys were filming in a
morgue…what was that like?
Corri:
We shot our film in a real working morgue…now I had never been in
a morgue before, so that in and of it self was creepy. There is
this pungent smell of formaldehyde, and this instant sense of your
own mortality. You quickly realize no matter who you are in life,
one day you will end up in a place like this, on one of those cold
metal tables! It was humbling.
Jack: I personally hate
hospitals. Did you ever find yourself getting claustrophobic on the
set?
Corri:
Our film was shot inside the walls of a working hospital in
Salt Lake City,
Utah. And this
is no ordinary hospital…there are a series of underground hallways
connecting the various buildings, and they span 1.6 miles – there
was a definite sense of claustrophobia. Not to mention that if you
did not tag right along with the crowd, you could get lost very
easily, and find yourself wandering those long hallways by
yourself!
Jack: Rumors are flying all
over the internet about the use of real cadavers and or parts in
this film. Are these accusations true, false or you can say no
comment?
Corri: I can’t say much about
the use of real bodies in our movie – but what I will say is that,
because we were in a real-live working morgue, there was no getting
away from “real” if we had tried! In fact, Jason Ipson, our
director, introduced the cast to our first real body right in the
beginning by taking us straight into a room-size refrigerator where
a recently deceased had been brought in and was awaiting an
autopsy…needless to say it was not hard, as actors, to find the
emotional reality of the situation.
Jack: With the current
barrage of bad horror films and excessive gore and torture on
screen, near the start of this film, it has you merely poking around
a cadaver. To me that made me squirm like a kid…can you tell me a
little about what that was like subconsciously?
Corri:
I know I keep coming back to this, but the idea of how mortal we are
as humans is such a theme – when you see a body that is flayed open,
it is fascinating and terrifying. And while the idea of
blood-sucking monsters under the bed is scary, to me, it is
infinitely scarier to imagine what you can’t see – perhaps an
unrestful soul lingering in a morgue…while you are shooting a movie
about an unrestful soul lingering in a morgue?? Heehee!! Scary.
Jack:
The body part filled water tank scene jars me. There’s a fine line
in horror films where one can separate real from fake, yet that
scene creeps me out. What was it like shooting that?
Corri:
First of all, while the cadaver tank in the morgue seems like a
stretch of reality, it actually is not. Jason, being a surgeon, was
aware that cadavers are kept either on meat-hooks in a freezer, or
in a cadaver tank full of a formaldehyde-type fluid. Most people
don’t know this – and all Jason did is tell truth, it’s creepy
enough without having to elaborate on reality! Our tank was built
for the movie, and brought into the morgue – getting in and out of
that tank and all of the sequences shot in there were by far the
most grueling – physically and emotionally. The water was cold,
then hot, we would get tangled in body parts, there were
pyrotechnics going on around us – it was a bit scary!! One time I
jumped out of the tank and totally busted my butt on the slick
bloody floor, another time my bare foot came down on a wig pin
(basically a thick needle about 4 inches long) that was holding some
body parts together. But it was also very exciting and your
adrenaline is cranking, so all in all it was a fun experience.
Jack: And the director used
to be a surgeon…how does a surgeon turned director compare with a
normal director?
Corri:
As actors, the cast had a huge advantage in Jason being a real
surgeon. Not only did we learn to hold the scalpel correctly and do
a “blunt dissection,” but we could go to Jason to find out exactly
what a young med student would feel in the situations we encounter
in the film. It was invaluable and it was our best resource to
making this film feel eerily real.
Jack: Any tidbits that the
film going public may find interesting about this film that no one
has mentioned before?
Corri:
What people might not know is that Jason wrote this film based
on his own experiences as a med student. He really did have an
ability to “know” things before they happened, and was completely
freaked out by it. And all kinds of weird, unexplainable things
happened. This strange sense is ultimately why he turned away from
medicine.
Jack: Horror films are prone
to problematic shoots…did anything go awry during filming?
Corri:
As far as things going wrong while shooting, my favorite is when
Scot and I had our first intimate scene, which is awkward enough as
it is…and we were in this apartment bedroom - well we had permission
to shoot, but the manager of the place peeped in and saw Scot and I
in our undies, and decided we were shooting a porno and yelled that
we better get! Meanwhile Jason is trying to get the shot and
frantically yelling “Action!” So Scot and I are hearing – “action,”
(kiss, kiss) “Get out!” “No action, action!!” “Get out you porno
people!!” Ultimately we got the take, but not without some serious
excitement!
Jack: Probably the most
important question, did you have fun delving into this ever-evolving
genre of film? What did you like most of the project and is horror
in your future?
Corri:
I loved making this film. It was such a positive experience and
I felt so lucky to work with the cast and crew we had – just a great
group of people, who supported me as I was screaming one second and
crying the next. I love how high the stakes are in a horror film,
it gives an actor the chance to really dig into a role – I will
definitely do more horror if the right projects come along. And I
gotta say the horror fans are the coolest. I actually have a film
coming out next year that’s a horror/comedy called “Killer Pad,”
directed by Robert Englund, which was quite an experience for me
because I was terrified of Freddy Krueger growing up – who wasn’t,
right?
Jack: A final thought…what
keeps the beautiful Ms. English up at night, scared out of her mind?
Corri:
Hmm, what scares me? Well, I’ve had many fears over the years.
Currently? …it’s pretty much being trapped alone at night in a
morgue!!
Jack: Hahahaha…that would be
creepy.
A DOOR SLAMS
SHUT SOMEWHERE FROM BEHIND.
Jack: Corri, where did you
go?
- Jack Reher
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